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Scherzo
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A scherzo is a short musical composition that can be humorous, fast-moving or replace the minuet in a larger work. Learn about the origins, form and variations of scherzos from baroque to modern times, with examples from Bach, Beethoven, Chopin and more.
scherzo, in music, frequently the third movement of a symphony, sonata, or string quartet; also, in the Baroque era (c. 1600- c. 1750), a light vocal or instrumental piece (e.g., the Scherzi musicali of Claudio Monteverdi, 1607), and, in the 19th century, an independent orchestral composition. In symphonies, sonatas, and string quartets of the 19th century, the scherzo replaced the 18th ...
Learn about Chopin's four scherzos, single-movement piano pieces composed between 1833 and 1843. Explore their musical form, style, expression and historical context.
スケルツォ （scherzo）は、 楽曲 の区分に用いられる名前のひとつ。 イタリア語 で「冗談」を意味し、語源的にはふざけた音楽を指すが、その意味あいは形骸化していった。 諧謔曲 （かいぎゃくきょく）。 スケルツォは、 メヌエット に代わって多楽章形式の器楽作品に組み込まれるように ...
A scherzo is a fast piece of music that replaced the minuet in 19th century symphonies and sonatas. Learn about its history, characteristics and examples by Chopin and Brahms.
Scherzo. Revista de música. Desde 1985, un referente en la divulgación, reflexión y análisis de la música clásica y sus protagonistas.
Learn what a scherzo is, how it evolved from the minuet, and how it is structured in classical music. Explore examples of scherzos by Beethoven, Chopin, and others.
Scherzo is an Italian word meaning joke, and it refers to a humorous musical piece or movement in quick triple time. Learn more about the etymology, usage, and history of scherzo from Merriam-Webster Dictionary.
The term "Scherzo" originates from the Italian word meaning "joke" or "play," and it developed as a musical form in classical music from the late 18th century. Early on, composers like Haydn and Mozart incorporated scherzo-like elements into minuet movements, emphasizing fast tempos and humor. Structurally, it is based on a ternary form, typically including a trio section.
Scherzo ist ein rascher, ausgelassener Satz im 3/4- oder 3/8-Takt, der oft der dritte Teil einer Sonate oder Sinfonie ist. Der Begriff stammt aus dem Italienischen und geht auf den Menuett zurück, der im Barock und Klassik häufig vorkam.