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Z CAM E2-F6 Full Frame 6K Cinema Camera. 12-Bit ProRes RAW recording over HDMI to the Ninja V 5" HDR monitor-recorder; 6K @60fps* & 4K @120fps* max, 10-bit color; Full Frame CMOS sensor; 15 stops dynamic range; ZRAW supported; EF mount (with optional M, MFT, PL and LPL mount accessory)** * In 2.4:1 aspect ratio
Buy Z CAM E2-F6 Pro Full-Frame Cinema Camera with 5" Touchscreen Monitor (Canon EF) featuring 6K up to 60 fps, 4K up to 120 fps, Full-Frame CMOS Sensor, Up to 15 Stops of Dynamic Range, Interchangeable Canon EF Lens Mount, Z-Log2, 10-Bit Color, ProRes 422/422 HQ, 5" Touchscreen Monitor, Camera Control, Genlock and Timecode Support, 12-G-SDI and HDMI Outputs, CFast 2.0 or ZBlade Custom Media ...
Z CAM E2-F6 Pro $ USD 3999. Order Now. 12G SDI. Genlock Support. 5" Touch Screen. Z CAM E2 Flagship Z CAM E2 Series Firmware Updates User Manual. ZBlade 1TB: USD$299.00 ZBlade 2TB: USD$499.00 ZBlade 4TB: USD$1,099.00. ZBlade Custom media designed for use on Z CAM E2-F6 Pro Engineered by Exascend, certified by Z CAM.
Shoot professional high-definition cinema footage with the Z CAM E2-F6 Full-Frame 6K Cinema Camera with a Canon EF lens mount. The camera features a full-frame sensor with 10-bit 4:2:2 color support and nominal 15 stops of dynamic range, supports timecode, shoots up to 6K at up to 60 fps and 120 fps at 4K, and records data up to 300 Mb/s onto CFast 2.0 media.
The Z CAM E2-F6 Mark II Full-Frame 6K Cinema Camera adds connectivity and stabilization improvements to the previous camera model while maintaining its interchangeable Canon EF lens mount and the ability to record ProRes RAW to select Atomos recorder/monitors. The camera records 6K video at up to 60 fps and HD to 170 fps, all to a CFexpress Type B card (not included).
The Z CAM E2-F6 is a durable and versatile camera with a Sony Full Frame sensor, Dual Native ISO and 15 stops of dynamic range. It supports 12-bit ProRes RAW recording, 6K@60fps, EF, PL, M and Sony E & M mounts, and various connectivity options.
Z CAM E2-F6 ProRes422 6064×3196 Z-Log2 ISO400 at 5 stops underexposure, pushed back to zero. Underexposure Test comparing ProRes422, 6064×3196 Z-Log2 ISO400 to ZRAW When I analysed the ProRes underexposure results at home in front of my computer, I wondered if using 12 bit ZRAW instead of 10bit ProRes would improve the banding / posterization ...
The Z CAM E2-F6 Taiji is a split sensor cinema camera built to allow you to create the impossible. With the sensor module close to the size of a hockey puck and with a 1 meter umbilical to the main body, size is no longer a dilemma for cinema-quality recording.
The Z Cam E2 F6 is a powerful cinema camera with impressive capabilities. It can shoot in 6K resolution at 60 frames per second and in 4K at 120 frames per second, both with 10-bit color. This is made possible by its Full Frame CMOS sensor, which also provides a wide dynamic range of 15 stops. The camera also supports ZRAW, a high-quality raw ...
The E2-F6 has a 6K 37.09 x 24.75 mm 26-megapixel full-frame CMOS sensor capable of shooting 6064×4040 @30fps max in Open Gate. 6k is generally not a standard you finish in as it's in between 4K and 8K resolutions, but if you master in 4K, having the extra resolution is great for reframing and image stabilizing in post.